New York: ACA Galleries. Very Good+ with no dust jacket; Occasional, minor, short creases to soft covers. A 3/8" closed tear to the tail of the back cover. 1988. No edition stated; No printing stated. Softcover. A small pamphlet of 10 color reproductions of oil paintings by the "Hoosier Group," in this case being Theodore Clement Steele, William Forsyth, Otto Stark, J. Ottis Adams, and Richard Gruelle. The works were painted in and/or depict landscapes, portraits, and still life in Brown County Indiana USA where the artists lived and Munich Germany where they studied and worked together in the 1880s. Small, but excellent reproductions of their superior work. Each painting accompanied by title, media, and size. As a group they had a naturalistic style that set them apart from the artistic herd of the day and commands stunning auction hammer prices today. A clean, good looking example that's better than VG implies.; Color Photographs; 8vo 8" - 9" tall; 19 pages .

Cambridge MA: MIT Press. Fine in Near Fine dust jacket; DJ has faint scuffing to covers, bump at spine head, slightly rolled at spine tail and head edges. 1998. First Edition. Hardcover. Explores the political activism behind Hans Richters art and films: the link between ideology and form. Edited by Stephen C. Foster. Liberally-illustrated with black and white photos and drawings. Bibliograph ical references. Indexed. Fine in a DJ that's about Near Fine.; B&W Illustrations; Large 8vo 9" - 10" tall; 329 pages .

Koln: Taschen. Near Fine with no dust jacket; Spine tail lightly rubbed. 1998. First Edition. Softcover. Beardsly's drawings from the Yellow Book periodical and the books Le Morte D'arthur, Salome, The Rape of the Lock, and Lysistrata. All styled in his grotesque parody of life, much erotic and phallic imagery. Filled with black and white plates and cuts. Includes the history Beardsley's involvement with each publication and a timeline of his life and career. Clean and NF. ; B&W Illustrations; 8vo .

New York: Japan House of Art. Very Good+ with no dust jacket; Spine sunned. Slight bow to front cover. 1965. First Edition. Hardcover. The author's paintings in the Sumi-e style: illustrated in both color and b&w will all paintings reproduced as full-page plates. Includes the author's article on the "characteristics of far Eastern art." Ex libris from the reference library of the Indianapolis Museum of Art, the only evidence being a discrete ink stamp on the title page. In rough, beige canvas over boards. Title impressed in black to cover. No DJ, believed as-issued. VG+ with bright, tight pages. ; Color Illustrations; 8vo; 128 pages .

London: Jonathan Cape. Very Good+ with no dust jacket; Creases to spine, light crease to corner of front cover, light creases to corners of back cover. Covers are flat with no bends or thumbing. Gift inscription to IFC. 1977. Reprint; Sixth Printing. Softcover. Begun by Sir Kenneth Clark and finished by A. E. Popham, Keeper of Prints and Drawings, British Museum. Introduction, 9 essays regarding da Vinci's subject matter, catalog of the drawings, index of collections containing the drawings, concordance with this books plates and those of other catalogs, followed by 320 plates which are b&w photos of the drawings. Text section is paginated, plate section is not: approximately 492 pages. About VG+. A compresensive reference for the student or researcher. ; Trade PB; B&W Photographs; 8vo; 492 pages .