Munchen (Munich): Bahia Verlag, 1983. Fine/Fine 1983 1st Ed Red cloth boards with gilt lettering bright, negligible wear Pages clean bright tight, previous owner's embossed stamp on black half-title page Unpaginated Full-page color photos Uwe Ommer, is a member of the Royal Photographic Society His photographs have been featured in several galleries and museums in France and abroad. . First Edition. Cloth. Fine/Fine. 4to - over 9¾" - 12" tall.

Middlesex, England : Penguin Books Ltd., 1971. VG+ 1970 reprint Cover bright, minor wear, lt rubs, sm chips Pages clean bright tight Over 30 pages of illustrations: drawings and B+W photos and music/song . Reprint. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall.

Wadsworth Publishing Company, 1988. VG- 1988 4th printing Glossy pictorial cover some shelfwear. scuffs, sm chips Pages tight with yellow highlighting . Hard Cover. Good/No Jacket- as Issued. 8vo - over 7¾" - 9¾" tall.

Middlesex, England: Penguin Books Ltd., 1974. Near Fine to Fine 1st printing Cover bright, minimal wear, sm spinetip chips, rubs Pages clean bright white tight 192 pages. First Printing. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall.

University of Minnesota Press, 2000. Fine Unread 2000 1st Ed Cover bright, negligible wear Pages clean bright tight Excellent copy Product Description: Film/Art A compelling exploration of experimental video in Canada, one of the most exciting arenas for independent film and video. Occasionally shocking, often funny, and above all genuinely experimental, this groundbreaking collection explores exciting developments in the field of Canadian video often overlooked in the United States. With critical essays on video theory and practice by senior and emerging media arts critics, theorists, and artists from the United States and Canada, Magnetic North offers an in-depth look at this vital art form. Magnetic North includes early Canadian video art from the 1970s to the present, providing historical perspective and the basis for positioning this work in an international context. More than forty artists are represented, spanning divergent regions, eras, and genres that range from innovative documentary to conceptual art, from experimental narrative to performance video. This compendium not only illustrates an important exhibition of established and emerging Canadian video artists, but also provides new scholarship and criticism in the field of contemporary art practice. . First Edition. Soft Cover. Fine. 8vo - over 7¾" - 9¾" tall.

Konemann, 1998. Near Fine 1998 5th printing Cover bright, minor edge/corner wear Pages clean bright tight white, title page sm spot Text in English, German and French <br></br> FROM THE PUBLISHER A divided decade - the world at war, it's triumphs and tragedies, victories and victims. Peace, rest recovery and rebuilding. Here are new hopes and new problems - the tumult of history trough the eye of the camera.. First Edition, Later Printing. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall.

Middlesex, England : Penguin Books Ltd., 1970. VG+ 1970 reprint Cover bright, minor wear, lt rubs, sm chips, spine lt sun fade Pages clean bright tight Over 30 pages of illustrations: drawings and B+W photos . Reprint. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall.

Middlesex, England : Penguin Books Ltd., 1972. VG+ 1972 reprint Cover bright, minor wear, lt rubs, sm chips Pages clean bright tight Over 30 pages of illustrations: drawings and B+W photos . Reprint. Soft Cover. Very Good. 8vo - over 7¾" - 9¾" tall.

New York: Harry N Abrams, 1999. Near Fine Unread book in VG Dust Jacket Cover bright, very minor shelfwear PAges clean bright white tight Dust Jacket (in Broadart cover) bright, some shelfwear, sm tears From Library Journal In 1879, the discovery of vividly painted animals and abstract symbols in the Altamira cave in Spain sparked a continuing fascination with and curiosity about Paleolithic creativity. While Altamira has been mentioned in recent books on the subject, e.g., The Shamans of Prehistory: Trance and Magic in the Painted Caves (LJ 2/1/99), this collection of essays updates the information and images documented by excavators Henri Breuil and Hugo Obermaier in their 1935 monograph, The Cave of Altamira at Santillana del Mar, Spain. Since the cave is now restricted to protect the paintings, the detailed photographs by Saura Ramos (photography, Univ. of Madrid) offer an excellent visual experience to armchair visitors. Included are reports on new radiocarbon dates by Federico Bernaldo de Quir?s and P?rez-Seoane's experiences duplicating prehistoric artistic processes. Other Spanish experts give historical overviews and discuss conservation problems. An important acquisition for public and academic libraries.AAnne Marie Lane, American Heritage Ctr., Laramie, WY Copyright 1999 Reed Business Information, Inc. Washington Post "...fascinating foray into the cave - a temple that remains closed to the public, accessible only on pages such as these.". First Edition. Hardcover. Very Good/Very Good. 4to - over 9¾" - 12" tall.

New York: Thames & Hudson, 2002. Fine UNREAD Cover negligible shelfwear Pages clean bright white tight New Product Description: This wide-ranging survey has established itself as the best single-volume introduction to Andean art and architecture. Now fully revised, it describes the strikingly varied artistic achievements of the Chavín, Paracas, Moche, Chimú, and Inca cultures, among others. Their impressive cities, tall pyramids, shining goldwork, and intricate textiles constitute one of the greatest artistic traditions in history. For the second edition, Rebecca Stone-Miller has added new material covering the earliest mummification in the world at Chinchorros, wonderful new Moche murals and architectural reconstructions, the latest finds from the Chachapoyas culture, and a greater emphasis on shamanism. Throughout, Stone-Miller demonstrates how the Andean peoples adapted and refined their aesthetic response to an extremely inhospitable environment. 185 illustrations, 35 in color. . Second Edition. Soft Cover. Fine. 8vo - over 7¾" - 9¾" tall.

Berkeley: University of California Press, 1995. Near Fine Unused 1995 1st printing Cover bright, very minor shelfwear, tiny chips Pages clean bright white tight Very Nice Product Description: Filmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path- breaking collection that inquires into the power (and limits) of film and photography to make sense of ourselves and others. As critics, social scientists, filmmakers, and literary scholars, the contributors converge on the issues of representation and the construction of visual meaning across cultures. From the dismembered bodies of horror film to the exotic bodies of ethnographic film and the gorgeous bodies of romantic cinema, Fields of Vision moves through eras, genres, and societies. Always asking how images work to produce meaning, the essays address the way the 'real' on film creates fantasy, news, as well as 'science,' and considers this problematic process as cultural boundaries are crossed. One essay discusses the effects of Hollywood's high-capital, world-wide commercial hegemony on local and non-Western cinemas, while another explores the response of indigenous people in central Australia to the forces of mass media and video. Other essays uncover the work of the unconscious in cinema, the shaping of 'female spectatorship' by the 'women's film' genre of the 1920s, and the effects of the personal and subjective in documentary films and the photographs of war reportage. In illuminating dark, elided, or wilfully neglected areas of representation, These essays uncover new fields of vision. First Edition. Soft Cover. Near Fine. 8vo - over 7¾" - 9¾" tall.

Boston: Bulfinch, 1999. Book 1 Library Journal Heavily based upon Adams's writings on the aesthetics and techniques of photography, most notably his series The Camera , The Negative , and The Print , this fine book deals with virtually every aspect of the medium. Following a brief introduction on the history of photography and on contemporary issues in taking photographs, this book introduces readers to cameras and lenses, moves on to the specifics of black-and-white and color photography, and concludes with an interesting chapter on field trips. All aspects of photography are thoroughly presented in a clear, readable manner. In fact, the book is much more accessible than Adams's classic series. The title is also something of a misnomer, because experienced photographers as well as beginners will find this book to be of great value. Given the number and quality of reproductions as well as the abundance and quality of information, this book is certainly one of the best manuals available. Essential purchase for all public and academic libraries.-- Raymond Bial, Parkland Coll. Lib., Champaign, Ill.. Revised and Updated. Soft Cover. Very Good. 4to - over 9¾" - 12" tall.

Garden City, New York: Amphoto, 1979. Very good copy with shelfwear and foxing along upper page edges.. Soft Cover. Very Good.

Australia: Hoyne Design, 1998. Folio. Limited first edition of 4000 copies printed. Very good copy. No dust jacket, as issued. Gold-colored boards with mild bump on upper edge of back cover. A journey of discovery. A myth. An urban fable. There are queens, knights and treasure chests in this tale that traces the historic Golden Mile from an Aboriginal meeting place to one of the most cosmopolitan streets in the Southern Hemisphere.. Hard Cover. Illus. by Tyers, Jenny. Very Good.

Calgary, AB, Canada: Glenbow Museum, 1984. Signed by author on title page. Tight, clean copy with only minor shelfwear.. Soft Cover. Signed by author on title page.. Near Fine.

Johannesburg: Southern Book Publishers, 1988. 4to. Solid clean copy with minor shelfwear to dust jacket, including two small tears - beautifully protected in Brodart covering.. Hard Cover. Very Good.

Cadence Jazz Books. 11/1996. Very Good in Very Good dust jacket. Appears unread. Trade pb Unknown printing. 0. 41" x 9. 02" x 7. 96".

Berkeley: The Bookworks. 1970]. Very Good. No dust jacket, as issued. Trade pb Unknown printing. 1v. (chiefly illus. ) 28cm. "Bookworks' second. ".

San Francisco: Camera Craft. 1953. First edition. Very good. No dust jacket as issued. Small tear to bottom front cover, rear cover a few spots, interior fine. Spine top small chipping. Trade paperback 136 p. Includes illustrations. 6.5x9.5 ins.

Washington: Library of Congress. 1981. Very Good. No dust jacket, as issued. Trade pb Publications of the American Folklife Center; no. 7; Publications of...Unknown printing. 115 p. : ill. ; 22 cm.

London: Collins. 1988. Very good in very good dust jacket. Hard cover 183 p., 8.75x11.25 ins. Text in English. Includes: Illustrations, Portraits.

Japan: Nikon?. 1968. Second printing. Very good in fair dust jacket. Hard cover Various pagings. Illustrated. Early edition, Japan. Publication data in Japanese.

Hastings-on-Hudson, N. Y.: Morgan & Morgan. [1970. 1st rev. ed. Very Good in Very Good dust jacket. Price clipped dust jacket. Hard cover Unknown printing. v. illus. , ports. 26 cm. Bibliography: v. 1, p. 299. 1. Camera and lens.

Sausalito, Calif.: Angel Island Publications / Contact Editions. 1961. Second edition. Very good. No dust jacket. Appears unread, spine uncreased. Small foxing to page edges. Trade paperback Unpaged, chiefly illustrations. Contact editions CE3. Illustrated.

Athens: Kauffmann. 1951, c1932. Good. No dust jacket, as issued. Trade pb Unknown printing. illus. ; maps; Unpaginated; 26 cm. ; Chiefly photographs.

New York: H.N. Abrams. 1991. Very Good in Good dust jacket. Hard cover Unknown printing. 167 p. : ill. (some col. ); 26 x 28 cm. Includes index.

Hastings-on-Hudson, N.Y.: Morgan & Morgan. 1971. Facsimile edition. Very good in very good dust jacket. Previous owner's name. Hard cover xv, 191 p. : illus.; 27 cm. Includes Illustrations. One of nine hundred copies published for the Friends of Photography, December 1971. Facsim. ed. Original t.p. reads: Photography as a fine art; the achievements and possibilities of photographic art in America, by Charles H. Caffin...New York, Doubleday Page & Company, 1901.

New York: Museum of Modern Art. [c1951]. Good. No dust jacket. Hard cover Unknown printing. 1 v. (chiefly illus. ) 36 cm.