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Camden, NJ: Recorded Publications Co.. Very Good with no dust jacket. 1954. Two 33 1/3 long play records capturing the 1954 TMEA Concert at Fair Park Auditorium, February 12, 1954. The condition of the records is Very Good. This is a wonderful collectible including: All State Chorus, Guest Conductor Maynard Klein, Director of Chorus University of Michigan; All State Orchestra, Guest Conductor Clarence E. Sawhill, Director of Bands and Orchestras UCLA; All State Bands, Guest Conductors William D. Revelli, Director of Bands University of Michigan and Raymond F. Dvorak, Director of Bands University of Wisconsin. .
London, Eng.: Josef Weinberger, 1956. 30, 4, [2] p.: music; 25 cm. (10 inches). Brown paper covers printed in black. Contains vocal line with piano accompaniment. Final two pages and back cover contain advertisements. In Good+ Condition: cover is faintly stained and lightly creased; spine is rubbed and starting to separate from the tail; tips of both corners of front cover are lacking; pages are clean and tight.. Good+.
Schirmer Books, 2000. Near Fine UNREAD 1st US PB Ed:Cover negligible wear Very few indents light scratches Pages clean white tight. 191 p<br></br>Ingram: From clothing to music and literture, the Beat Generation has has an enormous impact on American culture. Fred McDarrah was on the scene--in small clubs, apartments, at parties, and in bookstores--documenting the young Beat poets and artists in this important social movement. Here he selects his best pictures, many never before reproduced, to provide readers with an authoritative and fascinating look at the Beat movement. 275 photos.. First US Edition. Soft Cover. Very Good.
Mineola, NY: Dover Publications, Incorporated, 1986. VG- 1986 softcover Cover some wear, creases, chips Pages seem to be clean bright tight, unmarked Very lt page edge soil <br></br> Product Description: Clear, systematic presentation of the evolution of musical style from Gregorian Chant (a.d. 700) to mid-twentieth century atonal music. Excellent volume for music students, scholars, layman emphasizes the continuity of basic musical principles with detailed coverage of major period styles, composers. Over 140 musical examples. Bibliography. . First Thus. Soft Cover. Good. 8vo - over 7¾" - 9¾" tall.
CASSELL. Very Good; Reprint; Hardcover in Poor dust jacket. 1962. This is a solid copy in a firm binding with crisp pages. name inside, very little use. DK not sunned, several tears 2" , piece from lower fr edge. bright in mylar.; 8vo - over 7¾" - 9¾" tall .
Boston, Mass.: Oliver Ditson Company, 1920. [14], 103, [1] p.: frontispiece, 11 leaves of illustrations; 21 cm. (8 inches). Maroon cloth with gilt-stamped spine and cover titles. Front cover also bears a gilt-stamped decorative medallion reading: The Music Students Library. No dust jacket. All page edges speckled red. Includes in-text line drawings and music. In Near Fine Condition: ends of spine very lightly rubbed; back cover has small rubbed spot; otherwise clean and bright.. Near Fine.
New York: Scholastic Inc., 1994. Scholastic 1st Ed 2nd printing Cover bright, minor edge wear, rubs chips, lt folds Pages clean bright white tight Reading level: Ages 4-8 From Publishers Weekly Folksinger, musician and storyteller Seeger first told this story-song to his children over 20 years ago and has now written it as a book. It's based on a South African lullaby and folksong, yet it's too rollicking and exciting to lull a child to sleep. A ukulele-playing boy and his magician father are always getting into mischief, so they are banished to the edge of their town. There they have an opportunity to redeem themselves when Abiyoyo, a horrible, people-eating giant approaches the village. The story is so lyrical that Seeger's voice can be heard on every page. Hays, in his first picture book, creates a beautiful multicultural village. His sea of many-colored faces and costumes is exhilarating and expressive. The giant Abiyoyo is massive and jagged-toothed, but childlike and nonthreatening. The book is a triumph of storytelling and art. Copyright 1986 Reed Business Information, Inc. Reprint. Soft Cover. Very Good. Illus. by Hays, Michael . 8vo - over 7¾" - 9¾" tall.
Marshall Brothers Ltd. ; London, United Kingdom. Good; Not Stated; Hardcover; Reading Copy. front matter missing, spine and binding taped, no damp, not foxed.; 8vo - over 7¾" - 9¾" tall .
Very Good+; First Edition; Card Covers; Slight wear at stapled spine.. N.D.. First Printing. 12 x 9" stiff glossy card in black, gold and color photos. Appears to be a promotional piece of program for proformance. ; 4to 11" - 13" tall; 28 pp .
New York: Schirmer Books, 1997. Fine book in a Near Fine Dust Jacket Cover bright, very minor wear Pages clean bright tight Dust Jacket very minor edge wear, lt spots on back from rubs From Library Journal: Forty pages longer than its predecessor, this edition of a standard work on J.S. Bach, first published in England in 1983, includes information obtained from Eastern European sources inaccessible to scholars a decade ago. In some cases, whole chapters have been recast, and Bach scholar Boyd (The Oxford Composer's Companion: Johann Sebastian Bach) embraces the current emphasis in Bach scholarship on the interplay between Bach's social setting and his music. This 250th-anniversary year of Bach's death is producing many Bach works, including Christoph Wolff"s singular Johann Sebastian Bach: The Learned Musician (LJ 3/15/00). Boyd's work is authoritative and provides commentary on a wide body of Bach scholarship. This edition supersedes the other editions, though libraries owning the 1997 American second edition may cringe at having to replace it so soon.DBonnie Jo Dopp, Univ. of Maryland Libs. Copyright 2000 Reed Business Information, Inc. First Printing. Hard Cover. Fine/Very Good. 8vo - over 7¾" - 9¾" tall.